Size: 40”x30”x2”

Location: 43°05'10.7"N 70°44'34.7"W

Medium: Oil Paint on Wood Panel

Description:

In Night Lights, a winter evening in Kittery, Maine grows quiet as snow and streetlamps glow in the air. Built from on-site studies and then brought back together in the studio, the scene starts to drift away from strict description: buildings and cars soften into one steady, rhythmic field. Shapes slip between things, edges blur and sharpen, and the surface moves forward in rippling strokes, as if the night were being gently redrawn in light.

Size: 40”x30”x4”

Location: 44°18’25.1”N 68°11’28.8”W

Medium: Oil Paint on Wood Panel

"Cliffside Symphony: Ocean's Rushing Crescendo" explores the fascinating interplay between the vast, awe-inspiring landscape and our own introspective journeys.

The painting depicts a scene where the viewer finds themselves perched atop a cliff, gazing down as the ocean water rushes in below. However, rather than being overwhelmed by the grandeur of the surroundings, the focus shifts inward. The landscape seems to dissolve and writhe, symbolizing how our inner thoughts and reflections can sometimes overshadow even the most spectacular environments.

I dedicated countless hours both in the studio and on-location, resulting in a work that seamlessly combines dozens of studies into a single, powerful image. This approach allowed me to capture not just the physical attributes of the scene, but also the emotional and philosophical undertones it evokes.on goes here

Size: 24”x20”x2.5” in

Location: 44°18’55.3”N 68°11’48.9”W

Medium: Oil Paint on Wood Panel

Description:

"The Venus as a Mound of Clay" is a captivating original oil painting on panel that invites viewers to experience an unexpected moment of beauty in Acadia National Park. This unique piece explores the fascinating dichotomy between the vast, awe-inspiring landscapes and the subtle, often overlooked details of nature.

The painting depicts a scene where, amidst the breathtaking views and grand vistas of Acadia, the viewer's gaze is drawn to a simple mound of clay. This unassuming form becomes the focal point, stopping time and demanding attention with its subtle beauty of color and form. It's a powerful reminder that profound experiences can be found in the most unexpected places.

As the least literal painting in this series and the my personal favorite, "The Venus as a Mound of Clay" challenges conventional perceptions of beauty and significance. It serves as a metaphor for the discoveries we make when seeking solitude during overwhelming times and searching for meaning in life's quieter moments.

I dedicated countless hours both in the studio and on-location, resulting in a work that combines dozens of studies into sculptural forms that become a single, powerful image. This approach allowed me to capture not just the physical attributes of the scene, but also the emotional and philosophical undertones it evokes.

This painting invites viewers to contemplate the nature of beauty and significance, reminding us that even in the midst of grand spectacles, it's often the small, unassuming elements that can provoke the deepest reflections and most profound experiences.

Size: 12”x9”x3”

Location: 44°18’25.6”N 68°11’36.0”W

Medium: Oil Paint on Wood Panel

Description:

"Looking Down and In" invites viewers to experience the introspective beauty found in Acadia National Park. This unique piece explores the fascinating dichotomy between the vast, awe-inspiring landscapes and the intimate, often overlooked details of nature.

The painting depicts a scene where the viewer finds themselves drawn to the mesmerizing world of tide pools amidst the grandeur of Acadia. As one's gaze is pulled downward, the surrounding landscape seems to dissolve, symbolizing how our inner thoughts and reflections can sometimes overshadow even the most spectacular environments.

I dedicated countless hours both in the studio and on-location, resulting in a work that seamlessly combines dozens of studies into a single, powerful image. This approach allowed me to capture not just the physical attributes of the scene, but also the emotional and philosophical undertones it evokes.

"Looking Down and In" serves as a profound metaphor for the human experience of seeking solitude and meaning during overwhelming times. It reminds us that even when surrounded by natural splendor, we often find ourselves engrossed in self-reflection, searching for deeper understanding within the microcosms at our feet.

This painting invites viewers to contemplate the delicate balance between appreciating the world around us and delving into our inner landscapes. It stands as a testament to the transformative power of nature and its ability to mirror our own introspective journeys.

Size: 34”x27”x2.5”

Location: 43°20'57.4"N 70°29'40.2"W

Medium: Oil Paint on Panel

Description:

“Finally, the Sun —Tree Disheveled by an Ocean Blizzard” captures the raw beauty of nature's fury and resilience. The subject—a majestic tree standing tall on the ocean coastline of southern Maine—is depicted in the crisp light of morning following a fierce blizzard. The tree's branches, laden with fresh snow and mangled by the strong coastal winds, are transformed into an unrecognizable shape.

I dedicated countless hours both in the studio and before the subject, painting not only what I directly observed but also capturing ephemeral moments. By sculpting these transient impressions together, I created a work that combines dozens of studies into a single, powerful image.

This piece is not just a representation of a moment in time, but a testament to the enduring spirit. It serves as a powerful reminder of the beauty that can emerge from challenging circumstances, much like the tree that stands disheveled yet dignified after weathering the storm.